{"id":5,"date":"2019-11-26T12:22:54","date_gmt":"2019-11-26T12:22:54","guid":{"rendered":"http:\/\/johannesfrauenschuh.com\/?page_id=5"},"modified":"2026-07-03T12:01:22","modified_gmt":"2026-07-03T10:01:22","slug":"blogger-gb-home","status":"publish","type":"page","link":"https:\/\/johannesfrauenschuh.com\/en\/","title":{"rendered":"Johannes Frauenschuh Art"},"content":{"rendered":"

<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n
<\/div>
\n
\n
\n
\u00fcber Johannes Frauenschuh – CV – Studien – Ausstellungen: HIER KLICKEN<\/strong><\/em><\/a><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
\"\"
Eroica-Apfel, Beethoven-Sinfonie-Studien (2\/3): \u00d6l auf Holz, 2026<\/em> <\/figcaption><\/figure>\n\n\n\n

Text zur Sinfonie-Studie Eroica, siehe: <\/em>https:\/\/beethoven-tour.art\/de\/reisetagebuch\/kreatives-schaffen\/eroica-apfel-frauenschuhs-sinfonie-studien-2-3.html<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Beethovens Puls, die 7. Sinfonie, Sinfonie-Studien (1\/3): \u00d6l auf Holz, 2026 <\/em><\/figcaption><\/figure>\n\n\n\n

Text zur Sinfonie-Studie, 7. Sinfonie, siehe: <\/em>https:\/\/beethoven-tour.art\/de\/reisetagebuch\/kreatives-schaffen\/beethovens-puls-in-oelfarben-frauenschuhs-sinfonie-studien-1-3.html<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
\u00d6l auf Holz, 2026<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Arnolfini Hochzeit – Jan van Eyck Tribut: Siebdrucke auf Leine, 2019<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Oh great Itzamna!: Mischtechnik auf Baumwolle, 2025<\/em><\/figcaption><\/figure>\n\n\n\n
\"Johannes
Representing the Invisible – Translating Dark Matter<\/em>
feat. Maximilan Gallo und Hedi Rochowanski <\/em>
@ Meet the Universe, Aula der Wissenschaften Wien 2019<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Representing the Invisible – Translating Dark Matter – Kollaboration mit Maximilian Gallo 2018\/19 <\/em>
<\/figcaption><\/figure>\n\n\n\n

https:\/\/artscience.uni-ak.ac.at\/jart\/prj3\/art_science\/releases\/de\/upload\/Data%20Loam%20single%20works\/JohannesFrauenschuh.pdf<\/a><\/p>\n\n\n\n

https:\/\/artscience.uni-ak.ac.at\/works\/representing_the_invisible_translating_dark_matter<\/a><\/p>\n\n\n\n

\"\"
Videoarbeit 2, Second-Order Observation: <\/em>
Representing the Invisible – Translating Dark Matter<\/em>,
mit Maximilian Gallo 2018\/19 <\/em>
@ Angewandte Innovation Lab <\/em>Wien<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"
The Dome – Die Projektionskuppel: <\/em>
Representing the Invisible – Translating Dark Matter, mit Maximilian Gallo 2018\/19
@ Angewandte Innovation Lab Wien<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Skizze zu Hier fliegt unser Wal 2025<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Skizze zu Hier fliegt unser Wal 2025<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Skizze zu Hier fliegt unser Wal 2025<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"
Welt-Lampe: elektrische Leuchte, \u00d6l auf Leine, 2015<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"Johannes
Welt-Lampe<\/em>
@ Unter Flaschen – die Fledermaus in der Bar du Bois<\/em>, Heiligenkreuzerhof Wien 2020<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\"\"
Landschaftsmalerei: \u00d6l auf Leinwand, 120\/180\/4,5 cm, 2021<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Mira Mare: \u00d6l auf Leinwand, 121\/181\/4,5 cm, 2022<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Vulcano Landscape – Biopolar Times: <\/em>
\u00d6l auf Leine auf Holz, 60\/120\/2 cm, 2023<\/em><\/figcaption><\/figure>\n\n\n
\n
\"\"
Cat Baroque: Acryl auf Leinwand, Monotypie\/Rorschachtest, gerahmt, 2017<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n
\"\"
Hola PachaMama! 2022<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Antimatter Factory, 2025<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"
World of Bull Bull Skulptur
@ Volkskundemuseum Wien 2019<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Bull Bull Teks: <\/em>
Mischtechnik auf Papier, 2018<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"
Schleimpilz, der Herrgottswinkel – Ausstellungsdisplay:
Digitalfoto und M\u00f6rtel auf Holz, 2018<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"Johannes
Schleimpilz: Digitalfoto, 2018<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"\"
Fuchs 2020<\/em><\/figcaption><\/figure>\n\n\n\n
\n
\n
\"\"
Hier fliegt unser Wal: Bleistift auf Papier, 2025<\/em>
rechts: We-Wolf: Siebdruck auf Papier, 100\/70 cm, 2012<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"\"
16erCans – <\/em>
ad Klub Kultur, Jasper Johns Tribut: <\/em>
Siebdruck auf Textil, 60\/90 cm (Druck), 2016<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
@ Bar du Bois<\/em> @ Rundgang – Akademie der Bildenden K\u00fcnste Wien 2012<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
With Eyes All Over & Dopey: Siebdrucke auf Textil<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Pilzwelt: Acryl auf Leinwand, 2017<\/em><\/figcaption><\/figure>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n\n
\n
\"\"
Shrooms<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n
\n
\n
\"Johannes
EBOV – Sportif: Tusche etc. auf Papier, 2013<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"\"
von links nach rechts: <\/em>
Tusche und \u00d6l auf Leinwand; Siebdrucke von Jens \u00d8stergaard; Video-Installation von Line K Meyer<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

\"\"
Malerische Skizze: \u00d6l auf Pressholz, 2025<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\n
\n
\"\"
Bienen-Architektur: \u00d6l auf Wachs, 2022<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"
Mother Earth Strikes Back @ Red Carpet Showroom, U3 Volkstheater, Wien 2023<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n
\n
\"\"
With Eyes All Over: Siebrucke und Acryl auf Leinwand, 90\/110 cm, 2024<\/em><\/figcaption><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Text zur Sinfonie-Studie Eroica, siehe: https:\/\/beethoven-tour.art\/de\/reisetagebuch\/kreatives-schaffen\/eroica-apfel-frauenschuhs-sinfonie-studien-2-3.html Text zur Sinfonie-Studie, 7. Sinfonie, siehe: https:\/\/beethoven-tour.art\/de\/reisetagebuch\/kreatives-schaffen\/beethovens-puls-in-oelfarben-frauenschuhs-sinfonie-studien-1-3.html https:\/\/artscience.uni-ak.ac.at\/jart\/prj3\/art_science\/releases\/de\/upload\/Data%20Loam%20single%20works\/JohannesFrauenschuh.pdf https:\/\/artscience.uni-ak.ac.at\/works\/representing_the_invisible_translating_dark_matter<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-pagebuilder-full-width.php","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"on","_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-5","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t